Though the Pakistani music craze soon died down among mainstream audiences, diehard fans and immigrants continued the fusion. In the late 1980s, Pakistani-British artists fused Pakistani and Western traditions to make the Asian Underground.
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The couplets that are placed to form a ghazal need not have any connecting thread as such. In fact rarely would one find a connection existing between the couplets and yet they seem to fit in perfectly. This is possibly because of the tune to which they are set and the way in which they are recited.
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