Ghazal singers are known for the emotions, feelings and expressions they put into their performance. Most singers prefer to play the harmonium while they sing, giving them complete control over the tempo. Most lyricists compose their own music, as they know exactly what kind of a mood they intend bringing about through their poetic words. Though the first ghazals were written in Urdu, today, this form of poetry is written almost every regional language of Pakistan.
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Music journalism in Pakistan has grown tremendously over the years, especially with the growth of the country's pop music industry and underground rock culture. Popular music journalism was uncommon in the country till about 1985 when Karachi's tabloid, The Star started printing reviews written by Farrukh Moriani who is also considered to be the country's first ever pop music critic. At the end of the Eighties and with the coming of the Liberal government of Benazir Bhutto in 1988, the once repressed and frowned upon (by the Islamist dictatorship of General Mohammad Zia-ul-Haq), Pakistani pop music emerged from the underground and started gaining mainstream popularity. With this came another pioneering Pakistani music and fashion critic Fifi Haroon who was amongst the first in the country to undertake full features on the growing local music scene. Another frontrunner in this regard was M. Ali Tim, but it wasn't until the arrival of the iconoclastic Nadeem F. Paracha in 1990 that music journalism started to be taken as a serious form of journalism in Pakistan. With Paracha was Farjad Nabi (at The The News International) and Aysha Aslam (at The Herald).
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