Many Pakistani musicians of other genre (particularly ghazal, qawwali and folk musicians) therefore are nonetheless trained in Subcontinent classical, and often belong to a gharana.
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The couplets that are placed to form a ghazal need not have any connecting thread as such. In fact rarely would one find a connection existing between the couplets and yet they seem to fit in perfectly. This is possibly because of the tune to which they are set and the way in which they are recited.
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